Previously, on “dogrando writes about some records”… Eight (8!!!) years ago, Deaf Center’s Owl Splinters was a pretty big deal in these parts. It had some fine examples of the kind of close-miked solo piano sound that was very popular back then, and some excellently spiky string numbers, and helped to define a distinctive movement in music (for me, at least). Since then, I’ve enjoyed a few releases by Otto A Totland and Erik K Skodvin individually, but this is their first proper album as a duo in that time. (There was the 2014 mini-album Recount, which I passed on for reasons I now forget.)
Things have changed a bit in that interval. For one thing, that close-miked solo piano sound got kind of played out a while back, and while there is plenty of piano here, it’s always in combination with other elements. To my ear, this is Deaf Center’s most sinister release yet (although some of Skodvin’s Svarte Greiner stuff gives it a run for its money). Somehow, the intimacy of the piano (which I last encountered on Totland’s 2014 album Pinô) seems to enhance the strangeness of the tortured strings and the atmospherics. Or else, the ominous rumblings add an edge and a power to the piano (check out the end of Gathering, say).
All of which is a pretty long way of saying: if you like music that lurks in that space between dark ambient and modern classical, you should love this, because it’s great… but, then, I mean, duh: it’s a Deaf Center record, and a good one, you didn’t need me to tell you that.
I bought this from Juno. They call it Ambient / Drone.