In which Stephen O’Malley out of Sunn O))) and François J. Bonnet of the Groupe de Recherches Musicales in Paris’s National Audiovisual Institute have a beard-off. And the beards win.
You probably expect this is going to be a weighty business, and it is, but at the same time there’s an ethereal quality to it. A lot of the time, it’s all guitar-drone in the bass and floaty resonance in the top end, but it’s not quite as simple as that. However you analyse it, there’s a lot of power in the tension between the elements, and it rewards deep listening. The fourth side of the vinyl is a 15-minute track called Des pas dans les cendres (footsteps in the ashes) and its first half is kind of like the essence of a wintry night in a draughty castle (I recommend having a comforting blanket on hand for this bit) but its second half is kind of like the echo of a musty chapel and it’s a rather serenely magical ending.
(Fun fact: I once saw Sunn O))) at an All Tomorrow’s Parties festival. There was a heavily robed and hooded figure crouched at the front of the stage going “ommm” for much of the gig, and a very authoritative-sounding rumour was flying around stating that this was Julian Cope (who was also playing the festival), and an equally authoritative-sounding rumour that the first first rumour was nonsense. It was good, anyway.)
I bought this from Juno. They call it Ambient / Drone.