Sometimes, I really don’t make life easy for myself. It’s very hard to know what to say about this record. There are two 18-minute tracks, but each is in several apparently unrelated parts. Along the way it incorporates (in no particular order) melodic synth music, sparse modern classical using a variety of different piano sounds (from the close-miked and intimate to the echoey slightly dissonant), abstract acoustic bass noodling, buzzy drone ambient, post-rock guitar, some weirdly resonant plucked instrument I can’t place, a combination of humming and bowed resonant chimes and throaty chanting seemingly suited to some kind of meditative ritual, jazz xylophone (!), aleatoric percussion, heavily processed chanting, and a dozen other styles and instruments which I either can’t remember or can’t name. Often, we get two of three of these at the same time, in frankly surprising combinations. Sometimes, things will seem to come to a climax and then peter out; other times, they’ll simply come to a halt. There’ll be a pause, and then something different will happen, with no obvious sense of progression. It’s all very strange, really. But here’s the strangest thing of all: somehow, they manage to make this all not just work, but sound quite natural. Not only are all the elements satisfying individually, but the whole thing manages to combine an elegant lightness of touch with a kind of almost devotional intensity, and I found myself keeping on coming back to it — and after four or five listens, I started to convince myself that there’s a sort of fractured subconscious logic to its structure. An early contender for the hardest-to-categorize record of the year, but an immensely rewarding one.
I bought this from Boomkat. They call it Electronic (which is, frankly, a cop-out).